The Dining Room by Midori
a Queerly Complex Artist-in-Residence at 465 Collective


ASSOCIATED EVENTS
THU, DEC 4 - 4 to 8pm
RSVP​
​​FRI, DEC 5 - 5 to 9pm
Opening Reception &
Family Portraits by Marcella Sanchez
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​Sun, DEC 7 - 1 to 5pm
Yard Sale
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Sun, DEC 14 - 2 to 5pm
Fiber Arts & Storytelling
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Fri, DEC 19 - 5pm to 9pm
A Closing Solstice Celebration
RSVP Coming Soon!
What is Dining Room by Midori?
Dining Room by Midori is an Artist-in-Residence in collaboration with Queerly Complex at 465 Collective centered around her participatory installation. It will evolve over two weeks (December 4 to December 19) through activations, work days, and events.
Dining Room explores intergenerational, familial, and cultural trauma through symbolic action and community engagement. I invite participants to take part in a Shatter Party, a facilitated event in which ceramic dishes are broken, one by one, as an act of emotional release. These fragments—each a material trace of pain, grief, rage, or catharsis—are then gathered by Midori and used to construct the centerpiece of the final installation: a stylized domestic dining room, where the carpet is composed entirely of broken dishes, and the table is set with white plates long ago cracked and imperfectly repaired. Casually viewed, Dining Room appears unremarkable—a diorama of domesticity. But closer inspection reveals the underlying fractures. The viewer peers through a suspended window and sees herself reflected in a vintage mirror across the table, placing her inside the scene. This is not just one family’s table—it’s everyone’s.
"What we share across backgrounds, cultures, and identities are the quiet wounds carried from our families of origin," wrote Midori, "For many of us, the dining table—an object associated with connection—is a site of pain, silence, and pressure. In today’s world, as we all carry the weight of daily overwhelm, social fragmentation, and collective grief, we’re expected to hold it together. But many of us feel like we’re going to shatter."
The Artist-in-Residency builds upon Midori's initial vision of Dining Room, which was originally installed as a part of a group shows, to take over the entire 465 Collective Gallery. The installation will grow and evolve through a series of activations and events. A small Shatter Pit will be installed over the course of the residency so the carpet continues to grow. There will also be a Wall of Family-of-Choice Portraits, where trans, queer, non-binary, and other misfits, outsiders, kinksters, or weirdos will be invited to pin their own family portraits (either bring one, get one taken, or create one one the spot).
About Midori
Midori ( 美登里 ) is a queer, Japanese American artist. She creates work that gives shape and texture to emotion, desire, repulsion, collective memory, and subconscious revisions of experience. Her performances are physical and durational, often inviting the audience to join in and become co-conspirators in the labor of art.
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Reclamation of material and collaboration are core values that inform almost everything she creates, and the multiplicity of perspective and disorientation are ongoing themes in her work.
Born and raised in Japan with Japanese and German American heritage, Midori grew up loving Japanese folk art and traditional survival technologies, even as she struggled against the pressures of racism and sexism. Now a San Franciscan of thirty years, her body, like her art, bridges multiple cultures.
After serving in the military, she began her art career performing in queer nightclubs, collaborating with other ‘weirdo’ transgressive and experimental artists, saying “Sure, I’ll do it!” to even the oddest of opportunities. She describes herself as “born an abomination, traveling between worlds seeking other monsters – we are so many monsters.”
Midori’s work has been shown at San Francisco Asian Art Museum, Yerba Buena Center for the Arts, Leslie Lohman Museum, SoMArts, Das Arts Amsterdam, Gorilla Gallery Oaxaca, Root Division, among others.
About Queerly Complex & 465 Collective
Queerly Complex is JASON WYMAN, an artist practicing the art of relating to one's self, each other, and the Cosmic Mysteries. They are a co-founder of Tree of Change with Crystal Mason, a co-Founder of Culture Tending Commons with Crystal Mason, Vanessa Rodriguez Minero, and Wendy Martinez Morroquin, and a Founding Member of 465 Collective. Queerly Complex facilitates artists (of all practices, backgrounds, levels, and identities) bringing their visions to reality through Creative Coaching, Experience Design, Community Engagement / Interaction, and Aesthetic Development. ​
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465 Collective is a six-month-at-a-time collective of queer and trans artists, filmmakers, and cultural producers dedicated to working together to ensure the viability of the space at 465 S. Van Ness through mutual financial contributions, events & co-working (e.g. workshops, exhibitions, reading groups, discussions, networking events, etc), and overall space and facilities management and improvements.
It is held in the former landmark Femina Potens art gallery and performance space, which was dedicated to showcasing work by women and trans artists and operated from 2002 to 2007.
The founding cohort consisted of Madison Young / Alchemy Film Foundation, Maria Judice / BlackMaria MicroCinema, Ginger Yifan Chen, Scott Sessions / Queer Bedtime Stories, Beth Stephens / EARTH Lab SF, and Jason Wyman / Queerly Complex.
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The third cohort of the 465 Collective, which runs from June to December 2025, consists of Madison Young / Alchemy Film Foundation, Maria Judice / BlackMaria MicroCinema, Beth Stephens / EARTH Lab SF, Lydia Daniller, Devon Devine, Lady Monster, and Jason Wyman / Queerly Complex.



